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科幻电影中出现了诸多充满幻想性的非现实媒介，媒介考古学将这类媒介称为“幻想媒介”。已有研究大多延续齐林斯基的研究路径，从幻想与现实的距离的角度归纳幻想媒介的类型。但幻想媒介考古学并非强调媒介物质性，而是重视技术想象和话语实践，目的是对媒介现实世界有所启发。因此，有必要跳脱出前人视角，从媒介、技术与人、社会之间的共生关系视角对幻想媒介进行归纳与分析。通过对科幻电影中的幻想媒介进行收集与归纳，可以将常见的幻想媒介分为奇观媒介、与他者交流的媒介、跨越时空的媒介、离身媒介、具身媒介以及丰裕媒介。幻想媒介并非纯粹的想象，而是介于现实与幻想之间的媒介。作为与旧媒介、新媒介同等重要的第三种媒介类型，幻想媒介参与媒介之间的相互再媒介化关系。幻想媒介穿梭于过去与未来之间，将不同时间维度的既有媒介与媒介欲望相捏合，构筑不断交替、反复与融合的非线性媒介发展观。幻想媒介揭示了以往作为延伸的媒介观的不足，在想象与真实的互动之中，人、媒介与社会互为延伸，相互融合，走向共同发展的深度媒介化社会。
Abstract：Science fiction films feature numerous imaginary media. Media archaeology has called these media “Imaginary Media”. Most of the existing studies follow Zielinski's research approach, and summarize the types of Imaginary Media from the perspective of the distance between imaginary and reality.However, imaginary media archaeology does not primarily emphasize materiality, but focuses on the significance of technical imagination and discourse practice, with the aim of enlightening the reality of media. Therefore, it is necessary to move beyond previous perspectives, and analyze Imaginary Media from the viewpoint of the symbiotic relationship between media/technology and humans/society.By collecting and categorizing Imaginary Media from science fiction films, common types can be identified as the following: Imaginary Media for creating spectacles, Imaginary Media for communicating with the other, Imaginary Media for transcending space and time, Imaginary Media for acting the spirit, Imaginary Media for enhancing the body and Imaginary Media as media of abundance.Imaginary Media are not pure imagination but exist between reality and fantasy.As a third cat egory of media equally important as old and new media, Imaginary Media actively participates in mutual re-mediation relationships among different media forms.Imaginary Media combines the existing media and media desires, constructing a non-linear logic of media development.Imaginary Media reveals the limitations of the previous media views. Through the interaction of imagination and reality, humans, media and society extend and integrate with each other, promotingthe development of the deep mediatization.
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基本信息:
DOI：10.14086/j.cnki.xwycbpl.2025.05.004
中图分类号:G206;J905
引用信息:
[1]李鑫斓,许丽霞,周韧.幻想何以启迪现实：基于科幻电影的幻想媒介考察[J].新闻与传播评论,2025,78(05):38-49.DOI:10.14086/j.cnki.xwycbpl.2025.05.004.
基金信息:
国家社会科学基金艺术学重大项目(20ZD28)
2025-09-03
2025-09-03